Wall Art

Decorate your walls with the most complete T. rex ever discovered! This SUE poster ships rolled up in a protective tube and ready to be framed.

• Size: 24" W x 36" H
• Field Museum exclusive
• Makes a great gift!

The official portrait of SUE created by noted paleontological artist John Gurche. This poster of the famous T. rex ships rolled up in a protective tube and ready for framing.

• Size: 36" W x 24" H
• Field Museum exclusive
• Art by John Gurche

The highlight and focus of Crow Fair is the powwow which features dancers from visiting tribes as well as Crow tribal members. It is time for connection and cultural celebration. This Sisters Knowledge print features a young woman in her elk tooth dress, dancing to the beat of the drum.

Vanishing Series

The Vanishing Series is a response to the perception that Native American culture has or will "vanish." This idea of disappearance has been a mainstream thought that has only been propagated by Edward Curtis, a photographer who in 1904 produced a collection of photographs titled "Vanishing Race." The Vanishing Series aims to belie this idea.

• Size: 11" W x 14" H
• Part of the Vanishing Series
• Sisters Knowledge by Del Curfman, 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Brothers celebrate the passing on of Indigenous values and traditions through powwow and traditional dancing, the next generation not only learns ancestral knowledge, but carries this sacred insight into the future.

Vanishing Series

The Vanishing Series is a response to the perception that Native American culture has or will "vanish." This idea of disappearance has been a mainstream thought that has only been propagated by Edward Curtis, a photographer who in 1904 produced a collection of photographs titled "Vanishing Race." The Vanishing Series aims to belie this idea.

• Size: 8" W x 10" H
• Part of the Vanishing Series
• Brothers by Del Curfman, 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

This print features a symbolic bedrock of preservation of Indigenous culture: the children of today march and dance, preserving sacred traditions into the future. Crow Fair is a celebration of Crow culture, inspiring our Native children to immerse themselves in traditional ways.

Vanishing Series

The Vanishing Series is a response to the perception that Native American culture has or will "vanish." This idea of disappearance has been a mainstream thought that has only been propagated by Edward Curtis, a photographer who in 1904 produced a collection of photographs titled "Vanishing Race." The Vanishing Series aims to belie this idea.

• Size: 8" W x 10" H
• Part of the Vanishing Series
• Tiny Tot by Del Curfman, 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Every Crow Fair features a parade where our elders and tribe come together to celebrate Crow culture, traditional garb and wear, and traditional arts such as bead and quilt work. This print features a community member in his regalia, especially striking is his beautiful headdress.

Vanishing Series

The Vanishing Series is a response to the perception that Native American culture has or will "vanish." This idea of disappearance has been a mainstream thought that has only been propagated by Edward Curtis, a photographer who in 1904 produced a collection of photographs titled "Vanishing Race." The Vanishing Series aims to belie this idea.

• Size: 11" W x 14" H
• Part of the Vanishing Series
• Motion in Red by Del Curfman, 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Lauri Dawn Kindness adjusts her war bonnet during the Crow Fair parade in Crow Agency, MT.  Her Crow name is AwanBaakoosh Dáalukko "Goes/Fasts in the Mountains".

Crow Fair: Crow Agency, Montana

Crow Fair is the Apsáalooke Nation's annual powwow, parade, and rodeo. Held the third weekend in August, the celebration attracts tens of thousands of participants and spectators each year.

• Size: 14" W x 11" H
• A part of the Portraits of Crow Fair series
• Lauri Dawn Kindness, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Celebrate the bravery, strength, and vitality of the Apsáalooke culture with Apsáalooke Women and Warriors, a special exhibition at the Field Museum. Created in partnership with the Apsáalooke people (also known as the Crow) from the Northern Plains of the United States, Apsáalooke Women and Warriors is an immersive exhibition exploring the history, values, and beliefs of this native community.

• Size: 11" W x 14" H
• Margot Real Bird, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Starla Thompson is a Jingle Dancer from Milwaukee, WI.

Indigenizing Colonized Spaces

A portrait project by photographer Adam Sings In The Timber featuring Native people wearing traditional and modern regalia in metropolitan settings. This on-going series reminds people that wherever they are in the United States, they are standing on land once inhabited by Indigenous people.

• Size: 11" W x 14" H
• A part of the Indigenizing Colonized Spaces series
• Starla Thompson, Chumash & Potawatomi by Adam Sings in the Timber, 2018

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

KamiJo Whiteclay is a descendant of Chief Pretty Eagle. Her Crow name is Daaxpitche Axpaaliash "Bear Medicine".

Indigenizing Colonized Spaces

A portrait project by photographer Adam Sings In The Timber featuring Native people wearing traditional and modern regalia in metropolitan settings. This on-going series reminds people that wherever they are in the United States, they are standing on land once inhabited by Indigenous people.

• Size: 8" W x 10" H
• Part of the Indigenizing Colonized Spaces series
• KamiJo Whiteclay, Apsáalooke by Adam Sings in the Timber, 2018

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Women of Apsáalooke, including Nina Sanders, curator of the special exhibition Apsáalooke Women and Warriors, all wearing traditional Apsáalooke Elk Tooth Dresses on the steps of the Field Museum.

Indigenizing Colonized Spaces

A portrait project by photographer Adam Sings In The Timber featuring Native people wearing traditional and modern regalia in metropolitan settings. This on-going series reminds people that wherever they are in the United States, they are standing on land once inhabited by Indigenous people.

• Size: 8" W x 10" H
• Part of the Indigenizing Colonized Spaces series
• Phenocia Bauerle, Sharmaine Hill, Nina Sanders, JoRee LaFrance, all Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Apsáalooke women take part in the War Bonnet Dance during the Crow Fair powwow in Crow Agency, Montana.

Crow Fair: Crow Agency, Montana

Crow Fair is the Apsáalooke Nation's annual powwow, parade, and rodeo. Held the third weekend in August, the celebration attracts tens of thousands of participants and spectators each year.

• Size: 10" W x 8" H
• Part of the Portraits of Crow Fair series
• Apsáalooke Women Wearing War Bonnets, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Dazzlyn Hugs, Apsáalooke, stands with her mother during the Crow Fair powwow in Crow Agency, Montana.

Crow Fair: Crow Agency, Montana

Crow Fair is the Apsáalooke Nation's annual powwow, parade, and rodeo. Held the third weekend in August, the celebration attracts tens of thousands of participants and spectators each year.

• Size: 10" W x 8" H
• Part of the Portraits of Crow Fair series
• Dazzlyn Hugs, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Jacoby Little Light, #4200, stands with other Crow style dancers during the annual Crow Fair Powwow in Crow Agency, Montana.

Crow Fair: Crow Agency, Montana

Crow Fair is the Apsáalooke Nation's annual powwow, parade, and rodeo. Held the third weekend in August, the celebration attracts tens of thousands of participants and spectators each year.

• Size: 10" W x 8" H
• Part of the Portraits of Crow Fair series
• Jacoby Little Light, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Mother of four, Descendant of Bull Tail, Ties in the Bundle/Child of Peigan Clan, her Crow name is Alawusua Bia "Sweatlodge Woman".

• Size: 8" W x 10" H
• Lakisha Flores, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

2018 Little Miss Centennial Crow Fair, her Crow name is Baaitchiilappeesh "Kills Pretty".

• Size: 8" W x 10" H
• Aiyana Skunk Cap, Apsáalooke by Adam Sings in the Timber, 2019

About Adam Sings In The Timber

Adam Sings In The Timber is an Apsáalooke/Crow photojournalist and portrait photographer currently based in Providence, RI. Originally from Billings, MT, Sings In The Timber travels all over the US documenting Native American people through photography while also making portraits for his "Indigenizing Colonized Spaces" portrait series.

Beauty and power come as one in traditional Apsáalooke beliefs. The Crow people from what is currently Southeastern Montana, hold women in the highest esteem in their ability to give life, build families, bind people together to create culture, to fight for what they believe, as well as having powerful leadership abilities.

• Sacred Under the Cliffs of Yellowstone, Ben Pease 2016
• Signed and wax sealed giclee print
• Size: 24" W x 19" H
  
  

About Ben Pease

Pease was raised on the Crow Indian Reservation of Montana and studied at Minot State University and Montana State University. Find his work in numerous publications and exhibitions across the world. He co-founded The Creative Indigenous Collective, Native Youth Art In Action, Indigenous Peoples' Day Montana, and Native Men, Strong. "

This painting features a symbolic bedrock of the preservation of Indigenous culture; the children of today march and dance, preserving sacred traditions into the future. Crow Fair is a celebration of Crow culture, inspiring our Native children to immerse themselves in traditional ways.

• Painting Dimensions: 10" H x 8" W; Framed Size: 12" H x 10" W
• Oil on Canvas
• 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Brothers celebrates the passing on of Indigenous values and traditions; through pow wow and traditional dancing, the next generation not only learns ancestral knowledge, but carries this sacred insight into the future.

• Painting Dimensions: 20" H x 16" W; Framed Size: 22" H x 18" W
• Oil on Canvas
• 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

The highlight and focus of Crow Fair is the pow wow which features dancers from visiting tribes as well as Crow tribal members. It is a time for connection and cultural celebration. Sisters Knowledge features a young woman in her elk tooth dress dancing to the beat of the drum.

• Painting Dimensions: 14" H x 11" W; Framed Size: 16" H x 13" W
• Oil on Canvas
• 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Every Crow Fair features a parade where our elders and tribe come together to celebrate Crow culture, traditional garb and wear, and traditional arts such as bead and quilt work. This painting features a community member in his regalia, especially striking is his beautiful headdress.

Vanishing Series

The Vanishing Series is a response to the perception that Native American culture has or will "vanish." This idea of disappearance has been a mainstream thought that has only been propagated by Edward Curtis, a photographer who in 1904 produced a collection of photographs titled "Vanishing Race." The Vanishing Series aims to belie this idea.

• Painting Dimensions: 20" H x 16" W; Framed Size: 22" H x 18" W
• Part of the Vanishing Series
• Oil on Canvas
• Motion in Red by Del Curfman, 2020

About Del Curfman

Del Curfman is known for his work with Apsáalooke (Crow Nation of Montana) imagery, exploring heritage, tradition, and humanity through painting. He earned his BFA in Studio Arts with a focus on painting at the Institute of American Indian Arts of Santa Fe, NM (IAIA) in May 2017. As an emerging artist and enrolled tribal member, Curfman looks to contribute to contemporary Native Artist history through his artwork and community-based projects.

Featuring three different Earth Edition covers printed on beautiful Sappi McCoy "silk white" paper. It is perfect for collectors!

 

• Size: 26" W x 40" H
• Ships poster rolled in a protective cardboard tube
• Made in the U.S.A.

This ready-to-hang illustration of the periodic chart of elements will look amazing in your classroom or office. Printed on heavy-weight Italian paper stock. Each chart is packaged in a heavy-weight kraft tube.

• Size: 40" W x 28" H
• Material: Sustainably sourced wood
• Made in the U.S.A.